Heads and colour

As I have already stated, I do not work in a linear way, I start new ideas while I am currently working on other things, it is part of the same body of work just different threads.

This is a drawn on stone pebble encased in wool which has been hand dyed by an artisan hand dye business, I chose this colour as it is so un-natural neon yellow exploring how encasing a natural element I.e. stone pebble in what appears to be unnatural, it’s also a contrast of hard versus soft and relates to enclosing my plastic dolls in natural wool although all of these are neutral colours.

This stone had a few holes and I could have left the drawing off, the colour of the wool here is variegated but muted and I like the contrast against this pebble.

I went a little overboard here adding ears and neck but ignoring that, looking at the colour, for me it just does not work, it is too ‘candy’ ‘pretty’, I felt it was important to include this even though I do not like it at all, I feel it veers towards the are of, without being rude, home crafts? By asking why I did not like this I found out more than just dismissing it.

For me the piece has to convey my message, I find using colour difficult, in the same way I used to find drawing difficult and in this sense I hope to find my way through this! Colour has its own language, avoiding colour has its own meaning and it’s an area I am going to explore.

Having received feedback I decided to think about character, do I need to draw a face on the pebbles at all?

I put this question to followers on Instagram

I have included the screenshot of the comment although my Instagram account can be accessed from my home page. This is a recent post.

I decided to follow suggestions about finding pebbles that had texture to add emphasis of possible features but for this new piece I have used natural wool in a natural colour.

The image has a contrast of busy background, this is a sample and ideas going further are yet to be resolved.

Explorations

This is not a new piece “monkey” the positioning below however is new, I often use, re use old pieces of work to inform new pieces, it has always been part of my practice.

Sketchbook

Drawing is an integral part of my practice, it’s where I draw out my ideas, progress and finished narrative.

This image is not recent but informs my practice
Drawing in sketchbook of mixed media pieces depicting positioning with the caption “not suitable for children under 3 years old”
Part of my practice is to draw out my ideas for my mixed media pieces

I draw my found objects, collected, thrown away toys, dolls, textiles, I choose these by way of serendipity. I see a narrative, it’s often fictitious, however I choose what I feel will convey meaning into my pieces.

This piece started out from the stone, (on the top right hand corner) I made several of these for a performance with the Wrexham Art school on Paris Mountain in Anglesey, I kept one back. I worked on this in my sketchbook the following picture shows the result

This is the resulting experiment, I have not worked this way before, from scratch be that it was not intentional. This piece is not yet resolved.

I was given a bag of broken plastic dolls, some had no limbs and arms and legs were missing others just had arms missing, I decided that I would cocoon these with natural wool, a waddling but also a layer to add other layers.

The physical work in progress

This piece was drawn from printed fabric using paper lithograph on to fabric technique I began to play with the shapes adding arms and legs different positions.
This drawing is from a piece that is partly made and had the red hooded sand doll with it.
Inspired from a photograph I saw in an exhibition of photographs of a child in a run down poor area running with a balloon. I added the red paint this week as I tentatively try to add colour, unsure if it has added or taken away? I prefer it before but didn’t take images.
Drawing on to old text, Welsh text

This is overworked and does not possess the qualities I want in my drawings, I wanted to work out how to draw Trauma this is where I am at the moment trying out different approaches, some won’t work and it’s part of the process.